Category
Meaning, Art & the Good Life
Meaning, death, happiness, love and beauty.
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How does rasa theory compare with Aristotle’s catharsis?
I studied rasa theory in my literature classes and Aristotle's Poetics in a single comparative class. My professor said they're answering the same question: why do we enjoy art that shows painful emotions? But I'm not sure. Can someone explain what rasa…
Started by Kavya Menon4 replies -
Reading group: Plato’s Phaedo, weeks 1–3
I'd like to read the Phaedo slowly with anyone who is interested. It is the dialogue I return to most, and it reads differently every decade. Proposed plan: Week 1: the frame story and Socrates' claim that philosophers spend their lives practising…
Started by Giulia Ferrante5 replies -
Camus and the Buddhists: two ways of refusing the question of life’s meaning
I translate French philosophy into Vietnamese, and I'm finishing a new translation of The Myth of Sisyphus (1942). It opens with the famous sentence that there is only one really serious philosophical problem, suicide: judging whether life is worth living. And it…
Started by Vũ Quốc Bảo5 replies -
Langar, the Shabbat table and Confucius’s sauce: what does eating together do?
The langar, where I help out at our gurdwara in Surrey, goes back to Guru Nanak and was made central by the gurus who followed: a free kitchen where everyone, whatever their caste, faith or status, sits on the floor in the…
Started by Harpreet Kaur Grewal6 replies -
Night shifts and Epictetus: the dichotomy of control in a care home
The Enchiridion opens by dividing things into those up to us (our judgments, impulses, desires and aversions) and those not up to us (our bodies, property, reputation, office). Epictetus says that suffering comes from treating the second kind as though it were…
Started by Elin Hedqvist4 replies -
Is the “flow state” players reach in a good game the same thing as wu wei, or a false friend?
I design puzzle games for a small studio in Tainan. Our whole craft is building challenges that match a player's skill closely enough that they lose track of time. The psychologist Mihaly Csikszentmihalyi called this "flow": deep absorption, loss of self-consciousness, action…
Started by Hsieh Wei-ting6 replies -
Rasa and catharsis: is tasting an emotion the same as purging it?
I grew up with rasa theory the way some people grow up with grammar. Recently I read Aristotle's Poetics for a class and was told that catharsis is "the Greek version of rasa". I don't think it is, and I want to…
Started by Kavya Menon4 replies -
Half my class says they are nihilists. What exactly are they claiming?
I teach Introduction to the Philosophy of the Human Person to sixteen-year-olds in Davao. This term, about half the class announced they were nihilists. When I asked what that meant, I got: "nothing matters", "there's no right or wrong", "we can't really…
Started by Rowena Abellana4 replies -
If a cheat wins the match, has he even played the game? Help me with Suits
I am working through a book my grandson gave me: Bernard Suits's The Grasshopper. I like it, but I keep losing the thread on one point. Suits says a game is an attempt to reach some goal using only the means the…
Started by Gerrit Venter6 replies -
Can a tidy ledger be beautiful? What is “everyday aesthetics” about?
There is a moment near the end of every tax return I prepare, when the columns reconcile and the ledger is clean and everything is where it should be, that gives me a feeling I can only call aesthetic. My husband laughs…
Started by Harpreet Kaur Grewal4 replies -
Why did al-Jahiz insist on mixing jest with earnest in serious books?
My shop is off Mutanabbi Street and the most stolen book on my shelves, I'm sorry to say, is al-Jāḥiẓ's Kitāb al-Bukhalāʾ, the Book of Misers. People pick it up, start laughing, and somehow forget to pay. It is a collection of…
Started by Zainab Kadhim5 replies -
Can someone explain Danto’s Brillo boxes to a capoeira teacher?
At our community centre in Salvador, an exhibition opened last month. On one wall was a berimbau, hung up with a small label: the same instrument I play every week in the roda. People stood in front of it quietly, the way…
Started by Jorge Bonfim4 replies -
Plato called my trade a knack. Why did philosophy decide taste and smell don’t count?
I've started reading the philosophers on food because I'm tired of being told it's ‘just subjective’ by people who have never had to fix a split sauce on a Friday night. What I found surprised me. In the Gorgias, Socrates sorts cookery…
Started by Joel D'Souza6 replies -
Should knowing that Caravaggio killed a man change how we see his paintings?
Every year someone on a guided tour asks me the same question in front of a Caravaggio. In 1606 he killed Ranuccio Tomassoni in a fight in Rome and fled, and spent his last years on the run under a death sentence.…
Started by Chiara Bellandi4 replies -
Nine countries in one kitchen and no agreement on salt: can food be judged like art?
Every one of my cooks arrived knowing exactly how much salt, sour and heat a dish needs, and every one of them knew something different. My Keralite cooks find the Lebanese lentil soup timid. The Filipino cooks find my Goan vindaloo too…
Started by Joel D'Souza4 replies -
Reading group: Brillat-Savarin’s Physiology of Taste, aphorisms and first meditations
I grew up an hour from Belley, where Jean Anthelme Brillat-Savarin was born, so this book has followed me around. Physiologie du goût appeared in 1825, a couple of months before he died. He was a lawyer and magistrate, briefly an exile…
Started by Claire Dubois5 replies -
Hume’s ‘true judges’ are the best answer we have to whether taste can be wrong
Hume's essay "Of the Standard of Taste" (1757) is pinned to my shed wall, because I get tired of being told that taste is just opinion. The story everyone remembers is from Don Quixote: Sancho's two kinsmen taste wine from a hogshead.…
Started by Bec Doyle5 replies -
Capoeira is a game, a fight, a dance and a memory: which of Caillois’s boxes does it go in?
In capoeira Angola we don't say we fight. We say we play: jogar capoeira. Two people enter the roda, the circle of players and musicians, and the berimbau sets the pace. Somebody once told me Huizinga thought play was older than culture,…
Started by Jorge Bonfim5 replies -
If striving can never be satisfied, can any life be meaningful? A cellist reads Schopenhauer
I came to philosophy through Schopenhauer on music, and stayed out of a kind of dread. His picture is that we are expressions of a blind will that strives without end. Every satisfied desire gives way to a new one, and in…
Started by Moon Ha-eun5 replies -
Natural, necessary and empty desires: running a small winery by Epicurus’s sorting
I make small-batch wine in the Adelaide Hills. The irony of an Epicurean in the wine trade isn't lost on me, but I've found his sorting of desires the most useful bit of ancient philosophy I've ever read. In the Letter to…
Started by Bec Doyle4 replies -
Cutting film taught me that clock time and lived time are different things
I cut documentaries in Tehran. A shot of a woman pouring tea can last eight seconds and feel like a minute, or last eight seconds and pass unnoticed, depending on what came before it. Every editor knows this. The clock and the…
Started by Parisa Moghaddam3 replies -
Wine shows hand out medals. Can someone be wrong about what tastes good?
This question pays my bills. Twice a year I sit at a regional wine show with three other judges and we give medals. Every year someone at the cellar door tells me taste is subjective and my medals are just my opinion…
Started by Bec Doyle6 replies -
Sancho’s kinsmen and the key on the leather thong: Hume’s taste essay from a wine judge
Hume's "Of the Standard of Taste" is pinned to my shed wall, mostly for one story he borrows from Don Quixote. Two of Sancho's kinsmen are asked to judge a hogshead of wine. One tastes it and says it would be good…
Started by Bec Doyle4 replies -
I make cedar doors. Am I an artist, a craftsman, or is that the wrong question?
Tourists photograph my work and call it art. Gallery people, when they come, call it craft, and they say it a little differently. I read recently that this division is young. Before the eighteenth century in Europe, making was one category judged…
Started by Hicham Ouazzani5 replies -
Frankfurt is right that we don’t love our children for their qualities, and all love works that way
Raising two children has given me a lot of time with the evidence. Harry Frankfurt argues in The Reasons of Love that love is not a response to the beloved's value. It is a form of caring, and caring is what makes…
Started by Thamarai Raman6 replies -
Reproduction did not wither the aura of art; it made the aura more valuable
I've just reread Walter Benjamin's essay on the work of art in the age of its technological reproducibility, from the mid-1930s. His claim, roughly: the original work has an "aura", its unique presence in one time and place, its embeddedness in a…
Started by Chiara Bellandi5 replies -
Cārvāka and Epicurus, two ancient materialists at a deathbed
A question from the bedside. Epicurus helped me think about death without flinching: in the Letter to Menoeceus he says death is nothing to us, because where death is, we are not, and where we are, death is not. I've never repeated…
Started by Nadia Haddad5 replies -
Does contemplating death dissolve the fear, or does it just stop us arguing about it?
In the Theravāda tradition we practise maraṇasati, mindfulness of death. Buddhaghosa's Path of Purification gives it a full treatment among the recollections, and there is a sutta where monks tell the Buddha how they practise it, hoping to live for a day…
Started by Nirmala Jayasekara6 replies -
Tagore would not define art, and asked why we make it at all
My father sang Baul songs, and Tagore loved the Bauls: he collected their songs and admired Lalon. So I came to Tagore's lecture "What Is Art?" in his book Personality (1917) with my father's voice in my head. What I like is…
Started by Farhana Akter5 replies -
When someone dies, whose loss is grief about: theirs or ours?
My father died in February. In Addis Ababa people come to the house for days, the lekso, and sit with you, and much of what is said is about him: how young he was, what he would have seen. Thomas Nagel's account…
Started by Tsion Bekele5 replies