Category
Meaning, Art & the Good Life
Meaning, death, happiness, love and beauty.
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Is a brilliantly made propaganda film a great film, or only a skilful one?
At a workshop for journalists on propaganda, we watched long stretches of Leni Riefenstahl's Triumph of the Will (1935), her film of the 1934 Nazi party rally at Nuremberg. Afterwards the room split badly. Some said: it is a great film made…
Started by Sana Rizvi5 replies -
Reading group: how grief becomes rasa, from Lollaṭa to Abhinavagupta
The rasa debate is one of the great sustained arguments in Indian philosophy, and it is usually presented in a single paragraph that flattens it. I propose we read it slowly, commentator by commentator. The main difficulty is that the commentaries of…
Started by Meera Kulkarni5 replies -
Reading group: Mozi’s “Against Music” and Xunzi’s reply, with the Analects as prelude
The oldest sustained argument I know about whether art is morally good for us took place in warring-states China, and it deserves to be read in full rather than in a footnote. I propose three weeks. Week 1. The Analects on music.…
Started by Chen Yuting5 replies -
The Buddhist answer to ‘what makes a life go well’ refuses the shape of the question
Most theories of well-being name a good to pursue: pleasure, the satisfaction of desire, a list of objective goods, the development of human excellence, a life of virtuous activity. Even asceticism names one, freedom from appetite. The teaching I have followed for…
Started by Nirmala Jayasekara5 replies -
How can death be bad for someone who no longer exists to be harmed?
We did Epicurus in my ancient philosophy module and I can't get past the argument, even though I don't believe the conclusion. As I understand it: harm requires a subject. While I'm alive, death isn't here. When death is here, I'm not.…
Started by Aoife Kilbride5 replies -
We enjoy tragic art because the grief belongs to no one in particular
Thesis: the best single explanation of why people seek out sad and terrible works is generalisation, the idea associated with Bhaṭṭa Nāyaka, that the work strips the emotion of its particular owner. The paradox: grief hurts, yet we pay for tragedies and…
Started by Arjun Iyer5 replies -
Novels give us moral knowledge that no argument can deliver
Every year in my classroom I watch the same thing happen. Students who have heard every argument about slavery, its cruelty, its injustice, its economics, read Toni Morrison's Beloved and come out changed in a way the arguments never managed. They don't…
Started by Keisha Monroe5 replies -
Is “aesthetic experience” one kind of experience, or a label for several unlike things?
Twice last month I lost track of time completely. Once was a late-night proof that came together with a kind of click, everything suddenly fitting. The other was a recording of the Goldberg Variations on a long drive. Both felt, from the…
Started by Derek Hollis4 replies