Category
Meaning, Art & the Good Life
Meaning, death, happiness, love and beauty.
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Aristotle’s account of friendship is still the best one we have
Books VIII and IX of the Nicomachean Ethics distinguish three kinds of friendship: for utility, for pleasure, and for character. Only the third is complete. In it you wish your friend well for their own sake, and the friend becomes something like…
Started by Giulia Ferrante5 replies -
What exactly is Aristotle’s “function argument” in Nicomachean Ethics I.7?
This argument is easy to fumble when you explain it. My usual summary goes roughly like this: the good of anything that has a function lies in performing that function well human beings have a function it isn't nutrition and growth (plants…
Started by Giulia Ferrante5 replies -
I would plug into the experience machine, and most refusals are just status quo bias
Robert Nozick's thought experiment in Anarchy, State, and Utopia (1974): a machine can give you any experiences you like, indistinguishable from reality. You'd believe you were writing a great novel or climbing a mountain, but you'd be floating in a tank. Would…
Started by Hsieh Wei-ting5 replies -
The institutional theory of art is circular, and it’s the vicious kind
A mate who did an art degree keeps telling me that whether my stand-up set is art depends on the "artworld". So I read up. George Dickie's later version of the institutional theory, from The Art Circle (1984), says roughly: a work…
Started by Gemma Pritchard5 replies -
Epictetus says some things are up to us. What did that depend on for him?
Epictetus is still my favourite. The Handbook begins by saying some things are up to us and some are not: our opinions, desires and aversions are up to us; our body, property, reputation and office are not. In traffic this is very…
Started by Serkan Aydoğdu5 replies -
Reading group: ‘The Culture Industry’ chapter of Dialectic of Enlightenment
I do stand-up on the northern circuit and work in a call centre by day, which provides most of my material. A friend told me that Adorno and Horkheimer thought comedy on the radio was a form of social control, and I…
Started by Gemma Pritchard5 replies -
Reading group: Plato’s Phaedo, weeks 1–3
I'd like to read the Phaedo slowly with anyone who is interested. It is the dialogue I return to most, and it reads differently every decade. Proposed plan: Week 1: the frame story and Socrates' claim that philosophers spend their lives practising…
Started by Giulia Ferrante5 replies -
Camus and the Buddhists: two ways of refusing the question of life’s meaning
I translate French philosophy into Vietnamese, and I'm finishing a new translation of The Myth of Sisyphus (1942). It opens with the famous sentence that there is only one really serious philosophical problem, suicide: judging whether life is worth living. And it…
Started by Vũ Quốc Bảo5 replies -
Why did al-Jahiz insist on mixing jest with earnest in serious books?
My shop is off Mutanabbi Street and the most stolen book on my shelves, I'm sorry to say, is al-Jāḥiẓ's Kitāb al-Bukhalāʾ, the Book of Misers. People pick it up, start laughing, and somehow forget to pay. It is a collection of…
Started by Zainab Kadhim5 replies -
Reading group: Bergson’s Laughter (1900), one chapter a fortnight
Bergson's Laughter: An Essay on the Meaning of the Comic is short, odd and still the most useful thing I've read as a working comic. His idea is that we laugh at ‘something mechanical encrusted on the living’: the moment a person…
Started by Gemma Pritchard5 replies -
Reading group: Huizinga’s Homo Ludens, starting with ‘Nature and Significance of Play’
Huizinga has sat unread on my shelf for too long, and I'd like company to finally read him. Homo Ludens (1938) argues that play is older than culture, since animals play without anyone teaching them, and that law, war, poetry, philosophy and…
Started by Liu Mingqiao5 replies -
Capoeira is a game, a fight, a dance and a memory: which of Caillois’s boxes does it go in?
In capoeira Angola we don't say we fight. We say we play: jogar capoeira. Two people enter the roda, the circle of players and musicians, and the berimbau sets the pace. Somebody once told me Huizinga thought play was older than culture,…
Started by Jorge Bonfim5 replies -
Hume’s ‘true judges’ are the best answer we have to whether taste can be wrong
Hume's essay "Of the Standard of Taste" (1757) is pinned to my shed wall, because I get tired of being told that taste is just opinion. The story everyone remembers is from Don Quixote: Sancho's two kinsmen taste wine from a hogshead.…
Started by Bec Doyle5 replies -
If striving can never be satisfied, can any life be meaningful? A cellist reads Schopenhauer
I came to philosophy through Schopenhauer on music, and stayed out of a kind of dread. His picture is that we are expressions of a blind will that strives without end. Every satisfied desire gives way to a new one, and in…
Started by Moon Ha-eun5 replies -
Reading group: Brillat-Savarin’s Physiology of Taste, aphorisms and first meditations
I grew up an hour from Belley, where Jean Anthelme Brillat-Savarin was born, so this book has followed me around. Physiologie du goût appeared in 1825, a couple of months before he died. He was a lawyer and magistrate, briefly an exile…
Started by Claire Dubois5 replies -
I make cedar doors. Am I an artist, a craftsman, or is that the wrong question?
Tourists photograph my work and call it art. Gallery people, when they come, call it craft, and they say it a little differently. I read recently that this division is young. Before the eighteenth century in Europe, making was one category judged…
Started by Hicham Ouazzani5 replies -
Reproduction did not wither the aura of art; it made the aura more valuable
I've just reread Walter Benjamin's essay on the work of art in the age of its technological reproducibility, from the mid-1930s. His claim, roughly: the original work has an "aura", its unique presence in one time and place, its embeddedness in a…
Started by Chiara Bellandi5 replies -
Cārvāka and Epicurus, two ancient materialists at a deathbed
A question from the bedside. Epicurus helped me think about death without flinching: in the Letter to Menoeceus he says death is nothing to us, because where death is, we are not, and where we are, death is not. I've never repeated…
Started by Nadia Haddad5 replies -
Tagore would not define art, and asked why we make it at all
My father sang Baul songs, and Tagore loved the Bauls: he collected their songs and admired Lalon. So I came to Tagore's lecture "What Is Art?" in his book Personality (1917) with my father's voice in my head. What I like is…
Started by Farhana Akter5 replies -
What did McLuhan mean by ‘the medium is the message’? It sounds like a slogan
Colleagues at work quote ‘the medium is the message’ at least once a week, usually when they want to sound deep about social media. I finally looked it up: it's the title of the first chapter of Marshall McLuhan's Understanding Media (1964).…
Started by Nur Aisyah Rahman5 replies -
When someone dies, whose loss is grief about: theirs or ours?
My father died in February. In Addis Ababa people come to the house for days, the lekso, and sit with you, and much of what is said is about him: how young he was, what he would have seen. Thomas Nagel's account…
Started by Tsion Bekele5 replies -
Do capabilities measure a good life better than happiness surveys do?
The donors I work with on accessible buildings want outcomes, and increasingly the outcome they ask for is "satisfaction": did people report being happier after the ramp was built? I find this maddening, and Amartya Sen's work explains why. Two of his…
Started by Dima Nasser5 replies -
Did Plato’s Republic X really attack “art”, or is that a translation problem?
Every year in my class we reach the moment where a student says, "Wait, Plato wanted to ban poets?" I usually say yes, and we have a lively argument about censorship. But I've just read an argument that this framing misleads. Plato…
Started by Keisha Monroe5 replies -
Treating beauty as a matter of personal taste is the odd one out among the world’s traditions
I make hand-drawn batik in Yogyakarta, in a workshop my mother started. Our motifs carry Javanese ideas about harmony and Sufi ideas about longing. When foreign buyers ask me "which pattern do you like best?", I find the question strange. A motif…
Started by Ratna Wulandari5 replies -
Twelve-pointed stars in cedar: what is Islamic geometric pattern actually for?
My father taught me to lay out a star pattern for a ceiling with nothing but a compass, a straightedge and a cord. You start with a circle, divide it, draw lines that pass through the divisions, and the twelve-pointed star appears…
Started by Hicham Ouazzani5 replies -
Yūgen is not a Japanese sublime, and translating it that way loses the point
I have seen yūgen glossed as "the Japanese sublime" in two English books and one museum caption this year. I want to argue that this is a mistake, not just a loose translation. Kant's sublime has a definite shape. Something overwhelms: magnitude…
Started by Aiko Tanabe5 replies -
Hume’s “true judges” are simply people with leisure, and Bourdieu showed it
Look at Hume's list of what makes a good critic: delicacy, practice, comparison, freedom from prejudice, good sense. Now ask who has the time to practise and compare. Not my father, who unloaded ships in Marseille for forty years and listened to…
Started by Hugo Marchetti5 replies -
We were taught “control what you can control” in the army. Was that Stoicism?
In my last years in the army, "resilience training" was introduced, and the instructors sometimes quoted Epictetus. Control what you can control. Let the rest go. Some officers had read about James Stockdale, the American pilot who was a prisoner of war…
Started by Choi Byeong-hun5 replies -
Camus and Heidegger both rejected the label. So who actually counts as an existentialist?
I read Camus on breaks at the port, and I was surprised to learn he refused to be called an existentialist. Then I found out Heidegger rejected it too, in his ‘Letter on Humanism’, which seems to be partly an answer to…
Started by Hugo Marchetti5 replies -
In the five Confucian relationships, friendship is the odd one out. Why is it there?
My students memorise Mencius's list of the five relationships for exams: affection between father and son, rightness between ruler and minister, distinction between husband and wife, proper order between elder and younger, and trust (xin) between friends. They memorise it and never…
Started by Lin Pei-shan5 replies