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‘The Fact of Blackness’ or ‘The Lived Experience of the Black Man’? What a translation choice did to Fanon

I read Fanon to make sense of what I report on in Karachi's courts. Rereading Black Skin, White Masks (1952), I noticed something I'd missed for years: the fifth chapter has two different titles in English. Fanon's French is ‘L'expérience vécue du Noir’. The 1967 translation called it ‘The Fact of Blackness’. The 2008 translation calls it ‘The Lived Experience of the Black Man’.

This isn't trivia. ‘Expérience vécue’ is the vocabulary of phenomenology, of Merleau-Ponty, whose lectures Fanon attended in Lyon. The chapter is a phenomenological description: a child says ‘Look, a Negro!’, and Fanon describes his body being broken apart and rebuilt by the gaze of others. He talks about a ‘corporeal schema’ being displaced by a schema woven out of history, anecdote and stereotype.

‘The Fact of Blackness’ makes the chapter sound like a statement about an objective fact. ‘The Lived Experience’ makes it a description of how racialisation is lived. The difference matters for the philosophy of race: Fanon isn't arguing about whether race is biological. He's showing what it is to be made into a race by others, from the inside.

I'd like to discuss what else gets lost or gained in translating this book, and whether readers who learned it through the first translation absorbed a different Fanon.

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5 replies

  1. Phạm Quốc Bảo

    Contributor

    I translate French philosophy into Vietnamese, and this is the problem I meet every week. ‘Vécu’ has no single equivalent for us either. The 1967 translator chose an English that sounds like a social-science report; the later one stays closer to the phenomenological register but loses some punch. I'd say the first translation turned Fanon into a sociologist and the second returned him to philosophy.

  2. Claire Dubois

    Fellow

    There's also the word ‘nègre’, which Fanon uses with deliberate violence. English has no clean equivalent: some choices sound archaic, some far more brutal than the French register, some too polite. Each translator must decide how much the reader should flinch, and readers of different translations flinch at different places. That's not a small difference in a chapter about being looked at.

    Helpful · 1
  3. Khady Faye

    Fellow

    The chapter is also where Fanon argues with Négritude and with Sartre. Sartre's preface to Senghor's anthology called Négritude a moment in a dialectic that would be surpassed. Fanon writes that he felt robbed of his last chance: even the affirmation of Blackness had been assigned a role in someone else's history. As someone who teaches Senghor in Dakar, I read that passage as both fair to Sartre's logic and devastating about its arrogance.

    Helpful · 2
  4. Kenneth Leung Chi-ho

    Fellow

    From a phenomenology seminar's angle: Fanon takes Merleau-Ponty's body schema and shows it's not the neutral, universal structure the phenomenologists assumed. The ‘historico-racial’ schema is laid underneath it by others. It's one of the earliest and sharpest demonstrations that phenomenology must be done from particular bodies. A mistranslated title hides exactly that methodological claim.

    Helpful · 3
    1. Sana Mir

      Fellow

      Kenneth puts it more precisely than I did. I think readers of the first translation got a Fanon of anger and fact; readers of the second get a Fanon of method and description. He was both, but the first is easier to dismiss as rhetoric, and the second is harder to dismiss at all.