Can Vasconcelos’s La raza cósmica be read against its own hierarchy?
I read Vasconcelos ‘with admiration and a long list of objections’, as my profile says, and this year the list got longer.
La raza cósmica (1925) is often taught in Mexico as an anti-racist text, and in one sense it is. Against the doctrines of racial purity then fashionable in Europe and the United States, Vasconcelos celebrated mixture: Latin America would produce a fifth, ‘cosmic’ race, synthesising all the others. As education minister he sponsored the muralists, and the motto he gave the National University still speaks of the spirit speaking through ‘my race’.
But the text also ranks peoples. It imagines Black and Indigenous peoples gradually absorbed and their ‘lower’ types disappearing by a kind of aesthetic selection in marriage. So mixture becomes a route to whitening, or at least to the disappearance of those at the bottom of his scale. The hierarchy is not an accident in the text; the thesis reproduces it.
My question: can the celebration of mixture be separated from that hierarchy, so that something survives? Or is mestizaje as a national ideology inseparable from the erasure it imagined? I'd particularly like to hear from people in Peru and Brazil, whose own national myths of mixture have similar shapes.