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Card 5.6 · Root V — Aesthetics

Art and Morality

Can a beautiful work be evil, and still beautiful?

This node asks whether a work's moral character bears on its artistic value — and whether a morally corrupt work can be a good one.

From The Coordinates of Thought by Syed Raheel Shahzad, card 5.6, page 236

On this card
  1. Where it sits
  2. The rival answers
  3. Key figures
  4. Connections
  5. On Coordinates of Thought

Where it sits

Under V. Aesthetics. Borders 3.2 Normative ethics, 5.2.3 Interpretation, 6.32 Philosophy of film.

The rival answers

PositionClaim
Radical autonomismMoral features are simply irrelevant to artistic value
Moderate autonomismA work can have moral defects that are not aesthetic defects
MoralismMoral defects are always aesthetic defects
EthicismMoral merit counts toward aesthetic merit, other things equal
ImmoralismMoral defects can sometimes be aesthetic merits
ContextualismDepends on what the work is doing and what it asks of the audience

Key figures

FigureDatesTraditionContribution
Plato428–348 BCEGreekPoetry corrupts; exclude it from the city
Confuciustrad. 551–479 BCEChineseMusic and poetry as instruments of moral order
David Hume1711–1776European modernThe problem of imaginative resistance
Oscar Wilde1854–1900European modernNo such thing as a moral or immoral book
Noël Carrollb. 1947AnalyticModerate moralism
Berys Gautb. 1958AnalyticEthicism

Connections

→ 5.2, 5.3 · ↔ 3.2, 5.2.3, 6.32, 3.3.4 · ◇ autonomism, moralism, ethicism, immoralism · ○ Axial Age; Early modern; Modern; Table 10

→ narrower questions · ↔ questions it borders · ◇ the positions, mapped in Part III of the book · ○ the eras and comparison tables (Parts IV and V)

The full card is in the book

In The Coordinates of Thought this card goes on to a worked example that sets the answers against one case, and to where the question touches daily life — page 236.

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