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Enneads

Enneades (Ἐννεάδες)

Plotinus (edited by Porphyry) · written c. 253–270 CE · Long (over 350 pages)

4.5 from 2 reviews · 52 views

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What it is

The collected treatises of Plotinus, arranged after his death by his student Porphyry into six groups of nine, hence the name, and prefaced with Porphyry's Life of Plotinus. The order runs roughly from ethics through physics and soul to intellect and the One. Plotinus presents himself as an interpreter of Plato, but the system is his own. All reality derives from the One, which is beyond being and thought and produces without being diminished, as light radiates from the sun. From it comes Intellect, which thinks the Forms, and from Intellect comes Soul, which animates the cosmos and individual bodies. Matter, at the furthest remove, is privation and the source of evil. The human task is to turn inward and rise, through virtue and contemplation, back toward the One. Treatises such as On Beauty (I.6) shaped Christian, Islamic and Renaissance thought about beauty and the ascent of the soul.

Why read it

It is the source of Neoplatonism, the philosophy that carried Plato into Christian, Islamic and Jewish thought for more than a thousand years.

Where to start

Start with Porphyry's Life of Plotinus and the short treatise On Beauty (I.6), then try V.1 on the three primary hypostases.

Original text in the public domain; free translations exist online

Reviews

  1. Chiara Bellandi

    I came to Plotinus backwards, through Ficino, who translated him into Latin and gave Florence its Platonism. On Beauty explains something I feel at the restoration bench: we find a thing beautiful when we recognise form mastering matter. It is not easy reading and the system can feel airless, but no one who works on Renaissance paintings can avoid it.

  2. Nikos Stavridis

    I teach in Thessaloniki, where Byzantine theology is everywhere and Plotinus is its quiet ancestor. Reading him directly is another matter: the treatises read as if he were thinking aloud, and Porphyry tells us he never reread what he wrote. I.6 on beauty is the gateway; VI.9 on the One is where I still get lost. Armstrong's Loeb, with the Greek facing, is what I use.