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Hui Shi’s Ten Theses: paradoxes for their own sake, or a theory of space?

I am writing my dissertation on the Later Mohist canons, and I keep being drawn sideways to Hui Shi, Zhuangzi's friend and sparring partner. Almost nothing of his own survives. What we have is a list of ten theses preserved in the last chapter of the Zhuangzi, without the arguments.

Several are about space and size. The largest has nothing outside it, the smallest has nothing inside it. What has no thickness cannot be piled up, yet it extends a thousand miles. The south has no limit and yet has a limit. I set out for Yue today and arrived there yesterday. I know the centre of the world: it is north of Yan and south of Yue (that is, north of the northern state and south of the southern one). The same chapter attributes to other disputers the claim that if you take a stick a foot long and halve it every day, you will not exhaust it in ten thousand generations.

One common reading treats these as clever paradoxes, debating tricks. Another, which I find more persuasive, sees a theme: spatial and temporal distinctions are relative to a standpoint, and only the "Great One", the whole with nothing outside it, is not. The final thesis, love all things equally, for heaven and earth are one body, would then be the ethical conclusion of the series.

I want arguments. Are these a theory, or puzzles? And how do they compare with Zeno's paradoxes, which also attack the assumption that space is infinitely divisible?

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4 answers

  1. Liu Jianguo

    Contributor

    I'll speak for Zhuangzi, who knew him best. When Hui Shi died, Zhuangzi passed his grave and told a story of a carpenter who could only perform his great feat with a partner he trusted, and said that since the master died he had no one to talk with. You don't mourn a trickster like that. I think Zhuangzi took him seriously, even when he mocked his love of argument.

  2. Giulia Ferrante

    Fellow

    On the Zeno comparison, from a teacher of Greek: the resemblance is real but the purpose differs. Zeno, as Plato presents him, defended Parmenides by showing that plurality and motion lead to absurdity. Hui Shi, on Chen's second reading, uses paradox to show that distinctions are perspectival, not that motion is impossible. Zeno says "therefore the many is unreal"; Hui Shi seems to say "therefore all things are one body". Similar shapes, opposite temperaments.

    Helpful · 1
  3. Vikram Sethi

    Fellow

    The infinite-halving stick is mathematically correct, by the way: a geometric series that never reaches zero, while the sum of the pieces you've removed approaches one foot. Indian mathematicians later handled infinite series with great sophistication. I'd say the stick paradox is less a paradox than an early observation about limits, though the disputers may have meant it to provoke.

    Helpful · 2
  4. Chen Yuting

    Fellow

    Vikram, I agree, and that helps my case: the stick isn't a trick, it's a correct observation dressed as a paradox. Giulia, "similar shapes, opposite temperaments" is how I'll put it in my chapter, with credit.

    Helpful · 3