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Book corner · Philosophy · Intermediate

The Masnavi

Masnavī-yi maʿnavī (مثنوی معنوی)

Jalāl al-Dīn Rūmī · c. 1258–1273 · Long (over 350 pages)

4.5 from 2 reviews

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What it is

A vast poem in six books and roughly twenty-five thousand rhyming couplets, composed in Persian by Rumi in Konya and, according to tradition, dictated to his disciple Ḥusām al-Dīn Chalabī. It begins with the lament of the reed flute torn from its reed bed, an image of the soul longing to return to its origin. Rather than setting out a system, it moves through hundreds of stories, fables and Qur'anic episodes, breaking off to comment and digress and nesting one tale within another. Among the best known are the elephant in a dark house, which people who touch it describe as a pipe, a fan or a pillar, a lesson in the partiality of knowledge; and Moses rebuking a shepherd for his naive prayer, only to be rebuked by God in turn. Its themes are love, the illusions of the self, the limits of reason, and the presence of the divine in ordinary life.

Why read it

It is the masterpiece of Persian Sufi literature, and behind its stories lies a serious philosophy of love, knowledge and the self that popular quotations rarely convey.

Where to start

Read the song of the reed at the opening of Book One, then the story of Moses and the shepherd in Book Two, in a complete translation such as R. A. Nicholson's or Jawid Mojaddedi's rather than a selection of loose versions.

Original text in the public domain; free translations exist online Read Redhouse's translation of Book One free at Project Gutenberg

Reviews

  1. Elif Yıldız

    My grandmother quoted the reed flute's lament to me before I could read. Reading the Masnavi in Turkish and then in English, I was struck by how much the stories argue with each other. Four stars only because six books is too many for one person to finish in a year, and I have not.

  2. Reza Tehrani

    In Shiraz you grow up with Hafez and Saadi, and Rumi arrives later and louder. The Masnavi is not the Rumi of fridge magnets: it is long, digressive, sometimes bawdy, often argumentative. The elephant in the dark is a better account of perspectival knowledge than many epistemology chapters. I read it in Persian with Nicholson's commentary at my elbow.